I WILL SURVIVE.pdf Orchestra Score.pdf ↗️

I WILL SURVIVE.pdf Orchestra Score.pdf ↗️



 
 
 
 
 
 
 

I WILL SURVIVE.pdf Orchestra Score.pdf

i will survive.pdf orchestra score.pdf. I do not own the rights to this arrangement.
I do not own the rights to this arrangement.
In this video I tried to create a video of this arrangement.
The music of the video is a tune by Mozart.
I hope you enjoy this video.
Songs: 1. Intro – 00:00 2. Piano Sonata No. 21 in F minor, Op.
3 – I. Allegro – 04:15 3.

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Background

In 1981 I, Claudius became a controversial critical and commercial success. This was the first television serial in the UK to have ever seen a series all-time high in ratings as well as being the first to record a billion pounds in sales.

A Variety article reporting on the programme noted that the making of the show had been “typical of BBC policy. The scheduled broadcast has been made up solely to give drama executives a free hand in their own departments. I, Claudius was given a full programme budget and no interference on the part of any arm of the BBC” which was “the kind of handbook approach to BBC creation that was to become commonplace.

BBC policymaking can be seen in the I, Claudius case where, in the weeks before production began, the BBC first hired a film company which then changed its mind and hired Golden Film Company, but, in the end, both companies were brought together under one banner as a joint venture between Kenith Trodd (Golden Films) and Peter Bryant (Kendal Green and the BBC), the resulting company being a strange amalgamation of two small companies”
The TV serial also showed that the BBC’s ambitions were far reaching, with plans to have I, Claudius broadcast in over 100 countries, and what were to be seen as progressive times at the BBC in the years to follow. In the years after its broadcast, I, Claudius was the most watched drama series in the UK.

I, Claudius was the first drama series in the UK to broadcast itself as a paperback novel to be read over a six-week period, this “acting out” of the drama was another indication of the new BBC approach to creating television drama. The serial also helped introduce the BBC into the world of popular music, with Andrew Lloyd Webber and Tim Rice writing the incidental music for the serial, and therefore the “Lloyd Webber” style of musical theatre would be associated with the BBC for years to come.

Claudius is played as an extrovert character throughout the series but is shown as lonely and despondent at times. It was also noted in the Variety article that “the BBC, by preferring to let the story unfold rather than push it for full-blooded drama is sending out an unambiguous message that if you want to be successful at the Corporation, unless you are an actor, create something for which there is an audience of one” leading to comparisons with Peter Ackroyd’s 1984 BBC
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